further development of own student`s projects, eventually the work with model or still life,

 passing all previous exams

The studio’s programme stresses the student’s artistic independence, individual subjectivity and preparation for further growth. We try to complementarily develop and merge both classic sensitivity, and skills with ability to contextualise conceptually newest art form. Experiments with various conventions, media and strategies of painting are accepted and encouraged. What counts most is individual path of the young artist and most wide horizon of their own experiences.

Assessment of student’s individual work, their abilities, investment and artworks during midterm and final reviews

Ability to express student’s own artistic ideas  using the medium of painting and to comment these ideas in public

RUDOLF ARNHEIM „MYŚLENIE WZROKOWE”

JEAN BAUDRILLARD „SPISEK SZTUKI” - 

HAL FOSTER „POWRÓT REALNEGO”

GAY DEBORD „SPOŁECZEŃSTWO SPEKTAKLU”

ARTHUR C. DANTO „PO KOŃCU SZTUKI”

HANS BELTING „ANTROPOLOGIA OBRAZU”

LAMBERT WIESING „WIDZIALNOŚĆ OBRAZU”

JEAN-JACQUES WUNENBURGER „FILOZOFIA OBRAZÓW”