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Course type
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Film costume design
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Didactic methods
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The most important feature of education in my studio is very well reflected by the comparison: Science is setting sail to the wind [O.Tokarczuk "Czuły barbarzyńca" (Tender Barbarian) p.144
Just that and that much. Finding in oneself the power to create, curiosity and the need to investigate the past.
Embarking on a creative journey, which is always an act of freedom.
Set design , costume making above all as a creative , intellectual process and observation of the world .
It is a combination of image and literature .
Emotion and light
Texture and meaning .
Symbol and space .
Qualifying competencies for creative work.
Basic knowledge of film scenography and costume history .
Workshop skills: drawing , basics of painting.
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Language of lecture
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polski;
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Liczba punktów ECTS:
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(en)-brak-
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Liczba godzin w bezpośrednim kontakcie z nauczycielem akademickim
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(en)-brak-
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Liczba godzin samodzielnej pracy studenta związanych z osiągnięciem efektów uczenia się (zgodnie z profilem specyfiki kształcenia na wydziale)
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(en)-brak-
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Prerequisites
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(en)-brak-
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Teaching goals (program content, subject description)
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Preparation for independent creative work in an interdisciplinary team in film, television, advertising and for the presentation of its results
To develop the freedom to face the challenges brought by texts from different historical periods and different cultures.
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The form of passing the course (assesment methods and criteria)
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The prerequisite for the assessment is the completion and presentation of all exercises.
Assessment of the artistic value of the presented works - 50 %.
Assessment of the technical quality of the presented works - 20 %.
Assessment of independence within the creative work - 20 %.
Systematic approach to work - 10 %.
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Final requirements
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Semester 9 Credit.
Designing costumes and sets for a selected film adaptation of literature .
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Compulsory literature used during classes
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COSTUME BIBLIOGRAPHY BY. SUBJECTIVE CHOICE
1. "1000 Dessous History of Lingerie", Gilles Neret, published by Taschen
2. "History of clothing" - Gutkowska-Rychlewska 1968
3. "Women's Fashion of the 20th century" by Alina Dziekońska-Kozłowska
4. "Praktyczna Pani" ("Practical Woman") Newspapers of the 1930s
"Woman in the World and at Home". - 1920s
"You and I" - 1960s, 1970s
"Przekrój" from 1950s to 1990s
5. "Fashion Design 1850-1895", published by The Pepin Press
The Pepin Press, about fashion and accessories
6. "Men's Fashion- the Complete Sourcebook"- J.Peacock
Thames and Hudson Publishers
7. "Patterns of Fashion" by J. Arnold, published by Macmillan/QSM
8. "Fashion in Photographs" by R. Ais, publisher Badsford
9. "ABC of Men's Elegance", J.Turbasa
10. "Fashion Dictionary"-E. and A. Banach,Wyd.Wiedza Powszechna 1962
11. "Fashion. History of fashion from the eighteenth to the twentieth century".
Collection of the Kyoto Dress Institute, Taschen /TMC Art.
12. "A History of Costume in the West" F.Boucher, T& H
13. "Lexicon of things past and passing",M.Szubert
Muza
14. "Children's clothing in Poland",A.Drążkowska,Wyd.Naukowe
University of Nicolaus Copernicus
15. "Od spódnicy do spodni.Historia mody męskiej",K.Łoszewski
Bosz
Encyclopedia of Clothing Materials",G.Baugh, Arkady
17. "Costume Design 101", R.La Motte
18. "History of underwear",A.Drążkowska,Wyd.Naukowe Uniwersytetu
University of Nicolaus Copernicus
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Additional literature recommended for the student's self learning
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FILMY WAŻNE :
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Rok
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Reżyser
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Autor kostiumów
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Pan Tadeusz
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1999
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Andrzej Wajda
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Magda Tesławska
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Ogniem i mieczem
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1999
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J.Hoffman
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Magda Tesławska
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Boris Godunow
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1989
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A.Żuławski
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Magda Tesławska
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Barry Lyndon
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1975
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Stanley Kubrick
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Milena Canonero
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Maria Antonina
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2006
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Sofia Coppola
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Milena Canonero
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Grand Budapest
Hotel
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2014
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Wes Anderson
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Milena Canonero
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Dick Tracy
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1990
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Warren Beatty
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Milena Canonero
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Pożegnanie z Afryką
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1985
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Sydney Pollack
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Milena Canonero
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Orlando
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1994
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Sally Potter
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Sandy Powell
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Gangi Nowego Jorku
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2002
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M.Scorsese
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Sandy Powell
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Caravaggio
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1986
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Derek Jarman
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Sandy Powell
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Wywiad z wampirem
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1994
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Neil Jordan
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Sandy Powell
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Nocny kowboj
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1969
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J.Schlesinger
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Ann Roth
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Hair
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1978
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M.Forman
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Ann Roth
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Śmierć w Wenecji
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1971
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Luchino Visconti
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Piero Tosi
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Nocny portier
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1974
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Liliana Cavani
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Piero Tosi
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Zmierzch bogów
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1969
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Luchino Visconti
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Piero Tosi
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Amacord
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1973
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F.Fellini
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Danilo Donati
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Roma
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1972
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F.Fellini
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Danilo Donati
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Casanova
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1976
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F.Fellini
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Danilo Donati
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Cabaret
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1972
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Bob Fosse
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Ch.Fleming
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Królowa Margot
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1994
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P.Chereau
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M.Bickel
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Biała wstążka
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2009
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M.Haneke
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M.Bickel
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Francuski łacznik
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1971
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W.Friedkin
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J.Fretwell III
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Taksówkarz
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1976
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M.Scorsese
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Ruth Morley
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Annie Hall
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1977
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W.Allen
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Ruth Morley
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Tootsie
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1982
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S.Pollack
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Ruth Morley
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Powiekszenie
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1966
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M.Antonioni
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J.Rickards
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Manhattan
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1979
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W.Allen
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Albert Wolsky
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Bugsy
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1991
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B.Levinson
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Albert Wosky
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Kontrakt rysownika
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1982
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P.Greenaway
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Sue Blane
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| Learning outcomes
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| Knowledge | Skills | Social competences |
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Graduates should achieve knowledge in :
1. interpretation of source materials
2. knowledge of materials used in creating costumes
3. knowledge of specific, characteristic for a film costume, design rules
4. knowledge of selected problems of production practice
5. knowledge of rules of cooperation with the director and the studios
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The graduate should be able to :
1.consciously defend and logically justify his/her project
2. be able to creatively propose a choice of materials
3. use materials in order to build meanings, expressions and epochs
4. search for and interpret inspirations in the design process and creatively apply them in the creative process
5. create a stage and costume concept based on the text analysis
6. present the designed costumes in the form of projects legible for the performers
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Graduates should be able to :
1. critical analysis of their work
2.understand the need for constant, continuous self-education
3.work in a team
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| Metody weryfikacji przedmiotowych efektów uczenia się
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| Wiedza | Umiejętności | Kompetencje |
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| The weekly number of hours of classes or lectures, the number of ECTS points assigned to the subject and information on the form and completion of the subject are included in the study program and Course Cataloque (information is displayed in Akademus system) |
