Classes taught on a full-time basis.

Revisions to the semester project are conducted on a full-time basis, in the Academy of Fine Arts building. They consist of a preliminary discussion of the topic, presentation of inspirations, selection of photographic objects, adaptation decisions and those related to the construction of decorations in the hall, as well as corrections of the final project.

The course will include lectures with elements of multimedia presentation and exercises. Teaching materials and a list of films to watch at home will be sent to students via e-mail.

Qualifying competencies for creative work, basic knowledge of film issues workshop skills: drawing, working drawing (technical).

Preparation for independent creative work in an interdisciplinary team in film, television and advertising and for the presentation of its results.
Develop freedom in the face of challenges posed by texts from different historical periods and different cultures.

To enter the assessment, all exercises must be completed and presented.
Evaluation of the artistic value of the presented works - 50% (0-3p)
Evaluation of the technical quality of the presented works - 20% (0-1p)
Evaluation of independence within the creative work 20% (0-1p)
Systematicity in work - 10% (0-0,5p)
according to the grading scale placed in the Study Regulations.

Design of a film set design for a selected literary text. The ability to design film scenography consciously, taking into account the specificity of this form of artistic expression and the possibilities and limitations offered by film production. The ability to search for creative solutions. The student is able to search for shooting locations appropriate to the subject under development, as well as their adaptation to the historical period in which the plot of the literary text under development takes place.

1) "Basic TV Staging" Gerald Millerson, Wyd. Focal Press. Lndon&Boston
2) "Film Design" Terence St John Marner, Wyd. The Tantivy Press, London
3) "Production Design & Art. Direction Screencraft" Peter Ettedgui, Wyd. Roto Vision
4) "Film Architecture Set Design from Metropolis to Blade Runner" Dietrich Neumann, Wyd. Prestel. Munich, New York
5) "Polska plastyka telewizyjna" Wydawnictwo Radia i Telewizji, Warszawa 1969
6) "Learning from Hollywood. Architecture and Film" Hans Dieter Schaal, Wyd Edition Acel Menges 1996
7) "Setting the Scene. The Grat Hollywood Art. Directors" Robert S.Senett, Wyd. Harry N.Abrams, Inc., Publishers
8) "Screen Deco" Howard Mandelbaum, Eric Myers. Wyd. St. Martin's Press, New York
9) "Forties Screen Style: A Celebration of High Pastich in Hollywood" Howard Mandelbaum, Eric Myers. Wyd. St. Martin's Press, New York
10) "Designing Dreams. Modern Architecture in the Movies" Donald Albrecht, Wyd. Themes and Hudson 1986
11) "Perspective Drawing For the Theatre" Harry Morgan, Wyd. Drama Books Specialists (Publishers)

1) "Autentic Decor. The Domestic Interior 1620-1920" Peter Thornton Wyd. Weidenfeld and Nicolson, London
2) "Nineteenth - Century Decration. The Art. of Interior" Charlotte Gere, Wyd. Harry N.Abrams, Inc. New York
3) "Eighteen Century Decration. Design and the Domestic Interior in England" Charles Saumarez Smith, Wyd. Harry N.Abrams, Inc. Publishers
4) "Seventeenth Century Interior Decoration in England, France & Holland." Peter Thornton, Wyd. Yale University Press, New Haven and London.
5) The Italian Renaissance Interior 1400-1600" Peter Thornton Wyd. Harry N.Abrams, Inc. New York