|
Course type
|
compulsory, directional education
|
|
Didactic methods
|
- Lectures exercises during classes illustrated with iconography
- Project consultations and revisions
- e-learning
- Seminars
- Seminar (dialogue and didactic discussion)
- Multimedia presentations
- Practical exercises - implementation of technology projects and construction techniques
film decoration
- Presence on film sets and in TV studios
- The presence of film and television sets at the construction site
|
|
Language of lecture
|
polski;
|
|
Liczba punktów ECTS:
|
(en)-brak-
|
|
Liczba godzin w bezpośrednim kontakcie z nauczycielem akademickim
|
(en)-brak-
|
|
Liczba godzin samodzielnej pracy studenta związanych z osiągnięciem efektów uczenia się (zgodnie z profilem specyfiki kształcenia na wydziale)
|
(en)-brak-
|
|
Prerequisites
|
- Passed exam for third semester of undergraduate studies -
-Basic art skills to qualify for creative
work
- Spatial Design Knowledge Base
- Ability to communicate in a group
- Ability to express opinions and views
|
|
Teaching goals (program content, subject description)
|
The curriculum is designed to prepare students for independent creation of projects and their
execution in the field of film scenography in TV theater and advertising. Develop the ability to draw
develop perspective drawing and technical visualization of the designed images, including interiors and open-air locations.
The realized design activities, based on the knowledge of technique, technology and creation will allow to
recognize production possibilities
Students will expand their ability to interpret texts and analyze them in terms of creating the space
image. The goal is to be able to design creatively in an interdisciplinary team
The goal is to be able to design creatively in an interdisciplinary team, taking into account the medium of the camera, and to be able to present creative
creative possibilities.
|
|
The form of passing the course (assesment methods and criteria)
|
The condition for the assessment is the completion and presentation of all exercises
- assessment of the artistic value of the presented works
- evaluation of the technical quality of the presented works
- evaluation of independence within the creative work
- regularity of work
- The grading scale is defined by the points used in the Faculty of Stage Design.
BA Thesis:
assessment of the artistic and substantive level of the BA thesis, assessment of the level of public
presentation and defense
|
|
Final requirements
|
- passing the exam after the 6th semester (concerning practical classes, theoretical classes and e
learning) or a bachelor's exam in case of choosing a studio
- B.A. exam: includes independent execution of the full design work concerning
film scenography (film, TV theater, advertisement) including a set of technical drawings, artistic
visualizations or spatial realizations realized in an interesting artistic form
based on a selected text, scenario or idea of the work. Publishing and defending the
The Bachelor's thesis before the Faculty Examination Commission, whose members sovereignly grant
grade for the project. The final grade is the average awarded by the members of the Evaluation Committee.
- The completed project should be based on one's own concept inspired by
The project should be based on one's own concept inspired by a script or literary work.
- The work implemented in the form of a project presentation - visual, photographic
- (with the possibility of using recorded images in film technology) - technical and graphical (design, visualization)
technical and graphical (design, visualization) elaboration of elements of the designed decoration
- Analytical projects of characters in costumes.
- Description and analysis of the developed theme. Defense of the Bachelor's thesis before the
Faculty Examination Committee, whose members sovereignly assign a grade for the project.
The final grade is the average, awarded by the members of the Committee. The average refers to the thesis
practical thesis Defense and presentation, as well as the average grade from 6 semesters of study.
|
|
Compulsory literature used during classes
|
1. Tytuł : „Production Design & Art Direction Screencraft” Autor: Peter Ettedgui,
Wyd.Roto Vision, SBN 2-88046-364-5 e-mail: sales@rotovision.com
2. Tytuł: Film Architecture: Set Designs from Metropolis to Blade Runner
Autor: Dietrich Neumann
Wyd. Prestel. Munich, New York. ISBN 3-7913-1605-2
3. Tytuł: Alexandre Trauner Decors de cinema . Wyd. Editions Jade- Flammarion 1988
ISBN 2-08-203005-9
4. Tytuł: Learning from Hollywood. Architecture and Film. Architektur und Film
Autor: Hans Dieter Schaal
Wyd. Edition Axel Menges 1996, Stuttgart, London. ISBN 3-930698-70-6
5. Tytuł: Setting the Scene. The Great Hollywood Art Directors. Autor: Robert S. Sennett
Wyd. Harry N. Abrams, Inc., Publishers.ISBN 0-8109-3846-4
6. Tytuł: Screen Deco. Autor: Howard Mandelbaum, Eric Myers.Wyd. St. Martin’s Press, New York
ISBN 0-312-01087-7 (pbk)
7. Tytuł: Forties Screen Style: A Celebration of High Pastiche in Hollywood.
Autor: Howard Mandelbaum, Eric Myers
Wyd. St. Martin’s Press, New York. ISBN –0-312-03343-5
8. Tytuł: Designing Dreams. Modern Architecture in the Movies. Autor: Donald Albrecht
Wyd. Thames and Hudson, 1986. ISBN 0-500-27456-8
9. Tytuł: The Art of Hollywood. A Thames Television Exhibition at the Victoria and Albert Museum.
Autor: John Hambley, Patrick Downing, Graham Guest
Wyd. Thames television LTD 1979. ISBN 423-00510 –3
10. Tytuł: Caligari’s Cabinet and Other Grand Illusions. A History of Film Design.
Autor: Leon Barsacq. Wyd. New York Graphic Society. Boston. ISBN 0-8212-0620-6
11. Tytuł: Designer Drafting For the Entertainment World. Autor: Patricia Woodbridge
Wyd. Focal Press
12.Tytuł: Perspective Drawing For the Theatre. Autor: Harry Morgan
Wyd. Drama Books Specialists (Publishers), New York. ISBN 0-910482-87-X
13. Tytuł: Filmmaker’s Guide to Production Design
autor: Vincent LoBrutto Wydawnictwo: Allworth Press, New York, ISBN –1 58115- 224-8
1 Tytuł: Słownik adaptacji filmowych Autor: Andrzej Kołodyński, Konrad Zarębski
Wyd. Park Edukacja wydawnictwo szkolne PWN ISBN 978-83-7446-724-7
2 Tytuł; Labirynt Światła Autor: Jerzy Wójcik
Wyd. Canonia
3 Tytuł: Teatr TV i jego artyści Autor; Henryk Bieniewski
Wyd. PIW Warszawa ISBN 978-83-06-03241-3
4. Historia kina polskiego T. Lubelski- K.J. Zarębski
Wyd. Fundacja kino 2007 ISBN978-83-922850-2-1
5. Scenografia Autor: Starski Allan, Stanisławska Irena
Wyd. Wojciech Marzec 2013
|
|
Additional literature recommended for the student's self learning
|
1. Tytuł: Authentic Decor. The Domestic Interior 1620 – 1920. Autor: Peter Thornton
Wyd. Weidenfeld and Nicolson, London. ISBN 0-297785044
2. Tytuł: Nineteenth-Century Decoration. The Art of the Interior. Autor: Charlotte Gere
Wyd. Harry N. Abrams, Inc. New York. ISBN 0-8109-1382-8
3. Tytuł: Eighteenth Century Decoration. Design and the Domestic Interior in England.
Autor: Charles Saumarez Smith. Wyd. Harry N. Abrams, Inc. Publishers
ISBN 0-8109-3255-5
4. Tytuł: Seventeenth Century Interior Decoration in England, France & Holland.
Autor: Peter Thornton. Wyd. Yale University Press, New Haven and London
Library of Congress catalog card number: 77 -91067
ISBN 0-300-021933 (cloth); 0-300-02776-1 (paper)
5.Tytuł: The Italian Renaissance Interior 1400-1600. Autor: Peter Thornton
Wyd. Harry N. Abrams, Inc., Publishers, New York.ISBN 0-8109-3459-0
6. Tytuł: The Styles of Ornament. Autor: Alexander Speltz
Wyd. Dover Publications, Inc, New York ISBN 0-486-20557-6
7. Tytuł: Handbook of Ornament. Autor: Franz Sales Meyer
Wyd. Dover Publications, Inc, New York. ISBN 0-486-23480-0
|
| Learning outcomes
|
| Knowledge | Skills | Social competences |
|---|
|
K_W01 detailed historical context of drama and art theory; P7S_WG
K_W02
detailed rules concerning disciplines related to fine arts (directing,
interior design) allowing for the realization of teamwork tasks, also of
interdisciplinary character;
P7S_WG
P7S_WK
K_W03 problems connected with technologies and materials necessary in the process of designing
K_W03 problems related to technologies and materials necessary in the process of designing film and television scenography;
P7S_WG
P7S_WK
K_W06 detailed issues connected with the process of building narration and shaping
meanings by means of spatial conditions; P7S_WG
K_W07
problems connected with the functioning of the stage designer profession in the
K_W07 problems connected with the functioning of the profession of stage designer in the financial, organisational and legal context; knows the rules of health and safety at work, with
paying special attention to copyright issues;
P7S_WG
|
K_U01 apply the laws of spatial composition and visual structures, and is able to
practically apply them in the process of scenography design; P7S_UW
K_U03 consciously use in creative work his/her own experiences, reflections, intuition
experiences and impressions coming from personal experiences;
P7S_UW
P7S_UU
K_U05
create complete design studies having extended knowledge in the field of
use of various means of expression and creative creation provided by scenography,
cos^um, animated figure;
P7S_UW
K_U06 present the essence of his/her solutions to co-workers and performers during
realization of extended theatrical, film and television projects;
P7S_UK
P7S_UO
K_U07
make technical drawings for all theatrical studios (detailed
draw the elements of the designed scenery, use all
scale of technical drawing, using it as needed in the framework of
realization of extended theatrical, film and television projects;
P7S_UW
K_U09 make conscious use of available artistic means, conventions and styles
K_U09 use consciously available artistic means, conventions and aesthetic styles proper for the designed spectacle;
P7S_UW
P7S_UU
K_U10 define a creative problem on the basis of a given topic, reading and independent interpretation of a script; P7S_UW
interpretation of the script;
P7S_UW
P7S_UU
K_U12
use linguistic skills in the field of visual arts, appropriate for
arts relevant to the major of scenography, in accordance with the requirements specified for level B+
of Common European Framework of Reference for Languages.
P7S_UK
|
K_K01 to become a fully competent and independent stage designer, able to
consciously use the acquired knowledge;
P7S_KK
P7S_KO
K_K02
initiate artistic activities within the broadly understood culture (in particular
this applies especially to interdisciplinary projects and
of interdisciplinary projects and complex scenographic projects requiring the cooperation
specialists in various fields);
P7S_KK
P7S_KO
K_K03 Understand the need for a continuous process of self-development in relation to himself/herself and others.
K_K03 to understand the need for continuous self-development of oneself and others; P7S_KK
K_K04 consciously lead various team activities in the area of creative
K_K04 to consciously lead various team activities in the area of creative undertakings and to conduct own project;
P7S_KR
P7S_KO
K_K05 approach professionally and responsibly to solve problems
P7S_KR P7S_KO K_K05 to approach professionally and responsibly in solving problems concerning widely understood project work, as well as own creative activity;
P7S_KK
P7S_KO
|
|
| Metody weryfikacji przedmiotowych efektów uczenia się
|
| Wiedza | Umiejętności | Kompetencje |
|---|
| (en)-brak- |
|
| The weekly number of hours of classes or lectures, the number of ECTS points assigned to the subject and information on the form and completion of the subject are included in the study program and Course Cataloque (information is displayed in Akademus system) |
