Teaching methods: ( form of classes)

- Lectures illustrated with iconography and multimedia presentations (film materials) - adjusted to the directions of creation in the topics chosen by students
- Realization of exercises and projects- project path preparing to the thesis
- e-learning- possibility of classes on line - google meet
- Seminar (dialogue and didactic discussion)
- Consultations and project corrections- discussions on the creative method
- Practical exercises - technology of film decoration construction - the issues of light and color
- Practical form Presence on film and television sets
- Presence on the film and television sets
- Presence on the set of the television studio

Prerequisites for full-time students in semesters 5 and 6

- Qualification for the fifth year of full-time studies
- The ability to operate the artistic workshop in a variety of design techniques (drawing, collage, painting, basic computer design programs allowing to find elements of the creative path)
- Knowledge and skills to move in the space of knowledge about the film and the phenomena of contemporary multimedia - analysis of the script and theatrical text
- Competent and creative attitude towards proposed issues and exercises
- Independent and creative way of working out new topics

Aim of the course:

The curriculum in the Studio of Image Creation in Film and TV Scene Design- aims to prepare students for creative work in an interdisciplinary team in feature film , television and advertising.

It should develop the ability to translate the language of the script or drama into the author's own spatial creation.
Ensure mastery of design skills and knowledge of techniques, crafts and materials necessary for film set design including character and costume creation.

To master the specialized and visual language of film art, stage and media techniques., in order to shape them into a design presentation.

To introduce the practical aspects of the profession - in terms of cooperation on a film set

Assessment criteria:

The condition to enter the assessment is the completion and presentation of all exercises- and in the case of the implementation of the bachelor's thesis, the full project with all the elements required by the department of scenography
- evaluation of the artistic value of the presented works
- evaluation of the technical quality of the presented works
- evaluation of independence within the creative work
- regularity of work
- grading scale is defined by the scoring system obligatory at the Stage Design Department

BA Thesis:
Assessment of the artistic and substantive level of the bachelor's thesis, assessment of the level of public presentation and defense

Final Requirements:

Compulsory classes:

- Passing the exam closing the educational process at the level of the 4th semester concerning practical classes, theoretical classes and e-learning. Closing the project exercises in a form of the required artistic realization based on the topics from I/II semester (second year).
- Passing the exam after the 6th semester in the form of completed design exercises, theoretical knowledge or the bachelor's exam in the form of a complete realization, presentation containing all elements resulting from the assumptions and requirements for the exercises.
- B.A. exam: preparing a diploma project in the field of scenography design for film or television, or other artistic form designed, realized with the use of camera registration (animation, working on a model, combining video techniques with scenographic art.
The project should be based on one's own concept inspired by a script or literary work.
The work is realized in the form of project presentation - artistic, photographic (with the possibility of using the recorded image in film technique) - technical and graphical (design, visualization) elaboration of elements of the designed decoration.
Analytical projects of characters in costumes.
Description and analysis of the developed theme. Defense of the Bachelor's thesis
before the Faculty Examination Committee, whose members sovereignly assign a grade for the project. The final grade is the average, awarded by the members of the Committee. The average refers to the practical thesis Defense and presentation, and the grade average from 6 semesters of study.

Polish Literature

1 Title: Dictionary of Film Adaptations Author: Andrzej Kołodyński, Konrad Zarębski
Publisher: Park Edukacja Szkolne PWN ISBN 978-83-7446-724-7
2 Title; Labyrinth of Light Author: Jerzy Wójcik
Publisher: Canonia
3 Title: TV Theatre and its Artists Author: Henryk Bieniewski
Publisher: PIW Warszawa ISBN 978-83-06-03241-3
4 History of Polish Cinema by T. Lubelski - K.J. Zarębski
Cinema Foundation 2007 ISBN978-83-922850-2-1
5 Scenography Author: Starski Allan, Stanisławska Irena
Publisher: Wojciech Marzec 2013

Writings:
1 Title: Film Scenography. Author: Terence St John Marner. Published by The Tantivy Press, London
A.S. Barnes and Co, New York. ISBN (USA) 0-498-01326-x

2nd Title : "Production Design & Art Direction Screencraft" Author: Peter Ettedgui, Published by Roto Vision, SBN 2-88046-364-5
e-mail: sales@rotovision.com

Publications

2 Title: Film Architecture: Set designs from Metropolis to Blade Runner
Author: Dietrich Neumann
Prestel Publishers. Munich, New York. ISBN 3-7913-1605-2
3 Title: Alexandre Trauner Decors de cinema . Editions Jade- Flammarion 1988
ISBN 2-08-203005-9

4 Title: Science from Hollywood. Architecture and Film. Architektur und Film.
Author: Hans Dieter Schaal
Published by Edition Axel Menges 1996, Stuttgart, London. ISBN 3-930698-70-6

5 Title: Setting the Scene. Hollywood's great artistic directors. Author: Robert S. Sennett
Published by Harry N. Abrams, Inc, Publishers.ISBN 0-8109-3846-4

6 Title: Screen Deco. Author: Howard Mandelbaum, Eric Myers. Published by St. Martin's Press, New York
ISBN 0-312-01087-7 (pbk)

7 Title: Screen Style of the Forties: A Celebration of High Pastiche in Hollywood.
Author: Howard Mandelbaum, Eric Myers
Published by St. Martin's Press, New York. ISBN -0-312-03343-5

8 Title: Designing Dreams. Contemporary architecture in the movies. Author: Donald Albrecht
Published by Thames and Hudson, 1986. ISBN 0-500-27456-8

9 Title: The Art of Hollywood. Thames Television exhibition at the Victoria and Albert Museum. Author: John Hambley, Patrick Downing, Graham Guest.
Published by Thames television LTD 1979. ISBN 423-00510 -3.

10. Title: The Cabinet of Caligari and other great illusions. A history of film set design.
Author: Leon Barsacq. Published by the New York Graphic Arts Society. Boston. ISBN 0-8212-0620-6
11. Title: Design for the Entertainment World. Author: Patricia Woodbridge
Published by Focal Press

12.Title: perspective drawing for the theater. Author: Harry Morgan
Published by Drama Books Specialists (Publishers), New York. ISBN 0-910482-87-X

13.Title: Filmmaker's guide to set design
Author: Vincent LoBrutto Publisher: Allworth Press, New York, ISBN -1 58115- 224-8

17.Complementary literature

INTERIOR DECORATION / HISTORY OF INTERIORS AND MATERIAL CULTURE

1.Title: Authentic Decoration. The domestic interior 1620-1920.Author: Peter Thornton.
Published by Weidenfeld and Nicolson, London. ISBN 0-297785044

2nd Title: Nineteenth-Century Decoration. The Art of the Interior. Author: Charlotte Gere
Published by Harry N. Abrams, Inc. New York. ISBN 0-8109-1382-8

3 Title: Eighteenth Century Decoration. Design and the Domestic Interior in England.
Author: Charles Saumarez Smith. Published by Harry N. Abrams, Inc. Publishers
ISBN 0-8109-3255-5

4 Title: Seventeenth-Century Interior Decoration in England, France, and the Netherlands.
Author: Peter Thornton. Published by Yale University Press, New Haven and London.
Library of Congress catalog card number: 77 -91067
ISBN 0-300-021933 (cloth); 0-300-02776-1 (paperback)

5.Title: Italian Renaissance Interiors 1400-1600 Author: Peter Thornton
Published by Harry N. Abrams, Inc., Publishers, New York.ISBN 0-8109-3459-0

6. Title: Styles of ornament. Author: Alexander Speltz
Dover Publications, Inc, New York ISBN 0-486-20557-6

7 Title: Handbook of Ornament. Author: Franz Sales Meyer
Published by Dover Publications, Inc, New York. ISBN 0-486-23480-0