Classes are held in the form of individual weekly consultations and project revisions, carried out by students throughout the year. Classes are supplemented by occasional lectures.

- creative observation skills,
- ability to learn by example,
- openness to inspiration,
- knowledge of software to the extent necessary to complete the task,
- diligence

* new applicants are asked to provide a typographic portfolio and a levelling exercise. Based on the evaluation of the above, a group of people will be selected to be admitted to the studio

- gaining technical knowledge connected with using typefaces software
- gaining skills related to professional typeface design
- increasing awareness related to the perception and use of typefaces
- developing sensitivity related to typographic detail

- assessment of the student's individual (artistic) work according to the grading scale set out in the Rules of Studying, i.e. assessment of the degree of execution of the typeface project, completeness of materials presenting the typeface and involvement in class.

- awareness of the basics related to typeface design (history, anatomy and structure of letters)
- possessing technical skills for correct (artful) typeface drawing
- skilful use of typeface design software
- making conscious use of typography
- preparation of materials for a public presentation of the typeface developed during the course

- „Jak projektować kroje pisma” Jose Scaglione, Laura Meseguer, Cristobal Henestrosa, wyd. D2D
- „Elementarz stylu w typografii” Robert Bringhurst, wyd. D2D
- „Stwórz i złóż” Francisco Galvez Pizarro, wyd. D2D

1. "Detal w typografii", Jost Hochuli, D2D
2. "The Calligrapher's Bible. 100 Complete Alphabets and How to Draw Them"
3. "Revival Type: Digital Typefaces Inspired by the Past", Paul Shaw
4." Paneuropa, Kometa, Hel. Szkice z historii projektowania liter w Polsce", Agata Szydłowska, Marian Misiak, wyd. Karakter