Classes at the studio are workshops. The student's task is to creatively face the spatial arrangement prepared in the studio. The freedom of interpretation is the most important element that gives comfort to artistic explorations. During the classes, the instructor, through individual discussions with the student, determines a common course of action leading to a satisfying finale in the form of a completed drawing, painting or spatial action.

The condition of participation in the first year of studies is passing the entrance exam to the Faculty of Graphic Arts. The student's progress is verified by passing the winter and summer semester commission reviews. In the case of the second year, positive completion of the aforementioned semester commission reviews is required. A student should have above-average skills in drawing and painting, which is verified by the Recruitment Committee in case of the 1st year. In case of the second year, the student should have a developed sense of observation allowing for uninhibited creative interpretation of assigned tasks.

The profile of a student completing the didactic process in the studio should be characterized by the ability of professional use of drawing and painting techniques, allowing for free expression of the author's artistic thought, and confronting the requirements of senior years.

Students are evaluated on the development of their individual path of artistic exploration. The student's ability to utilize workshop gains in the completion of assignments. Individual mid-semester and semester reviews allow both the instructor and the student to see the extent of progress in the teaching process. Class attendance is an important component of the evaluation. Assessments are provided for in the study regulations. Works of outstanding students are presented on the exhibition walls of the Graphic Arts Department, in individual shows.

The aim of teaching in the studio is to familiarize students with the basic issues of artistic language within the discipline of drawing and painting. The aim is to stimulate creative imagination and at the same time to develop technical and technological knowledge. The general-plastic character of the studio allows the students to develop the freedom of using both drawing and painting techniques. Creative experimentation is an important element of the studio.
Classes at the studio take place over four semesters, with a system of eight hours per week. The two-day cycle of classes is settled by an art work which meets both artistic interpretation and workshop and technological requirements.

.1. „Techniki malarskie” Ludvik Losos
2. „Siedem wieków malarstwa europejskiego” Maria Rzepińska
3.„Historia obrazów” David Hockney & Martin Gayford

„Sztuka Świata” opracowanie zbiorowe, w polskim wydaniu pod redakcją Wojciecha Włodarczyka
„Historia brzydoty” Umberto Eco
Aktualne periodyki o sztuce (rekomendacja „Aspiracje” pismo warszawskich szkół artystycznych)

The studio is equipped with workstations in the form of an easel and a drawing board. The spatial arrangement being the subject of creative analysis is prepared by the studio instructors, using materials available in the department. The faculty does not provide art materials necessary to complete the assignment.