Study with model or still-life, two thematic semestral tasks, cyclic seminary lectures, students' own projects and initiatives, yearly plain-air workshops, participation in outdoor initiatives

The attestation depends on the estimation of students' individual artpieces, development of their skill, commitment and artistic property during two reviews in the semester

Ability to create conscious and original artistic expression through painting and to comment on it publicly

Passing consists of an evaluation of students' individual work, skills, commitment, and artistic achievement during mid-semester and final-semester reviews.

The programme of the Studio is the development of artistic subjectiveness of every student and preparation them to the further achievements. Therefore we try to work complementary and join as well the classic sensibility, the workshop skill and also the consciousness and the ability to the conceptual contextualisation of newest art. Accepted and supported are all experiments with every conventions, medias and strategies of the painter's art. First of all important is the development of individual artistic subjectiveness and maximally wide baggage of own students`experiences.

Rudolf Arnheim, „Myślenie wzrokowe”

Jean Baudrillard „Spisek sztuki”

Hal Foster „Powrót realnego”

Guy Debord „Społeczeństwo spektaklu”

The books are available in the library of ASP or UW.

Arthur C. Danto „Po końcu sztuki”

Hans Belting „Antropologia obrazu”

Lambert Wiesing „Widzialność obrazu”

Jean-Jacques Wunenburger „Filozofia obrazów”

The books are available in the library of ASP or UW.

The easels, lighting headlights, heatings, accessories to still-lifes and models, boxes storing the materials.