Online course and monographic lectures
Online seminar: didactic discussion, didactic dialogue
e-learning: podcasts, video meetings, offline lectures
Field activities (with large numbers of students, grouping activities according to pandemic guidelines)

Student of the Academy of Fine Arts in Warsaw;
Erasmus student studying at the Academy of Fine Arts in Warsaw

Credit in the field of theory

The assessment consists of:

class attendance - 60%
active participation in discussions and activities in the field - 40%

The classes are to give the student an orientation on what is the protection of material and non-material heritage and its place in the sphere of culture. The subject, conducted in the form of lectures, online seminars and field classes, will enable the student to acquire knowledge about the specificity of conservation issues along with shaping the awareness of the need to protect heritage.
After completing the course, the student has knowledge of the protection of cultural heritage. Has the ability to collect information in the field of heritage protection and is aware of the issues of protection of cultural heritage.
In addition, students studying at other faculties, such as the conservation department, have the opportunity to learn about talking to the conservator and curator, they are aware of their works of art. They know the basics of creating and designing a work of art. They also know how to properly transport their works and how to look at their work in the future. They become conscious artists who care about their heritage.

THEMES:

• A new conceptual framework for preserving the heritage of contemporary art;
• Contemporary values ​​assessment of the heritage of visual art - an attempt to describe and systematize;
• Exhibition of modern art and the protection of the integrity of works;
• Copyright - what should a young artist know about his art ?;
• Copyright in design;
• Copyright in pop culture. Case study;
• What is a monument? Reconstruction of Warsaw;
• The importance of space, place for an artist;
• What surrounds us? Art in public space in Warsaw;
• Transporting works of art - what an artist and conservator should know ?;
• Interview with the artist. What should an artist consider when thinking about the future of his art ?;
• Assumptions of ancient and modern conservation doctrines, basic texts and documents;
• Structure of the field and basic terminology in the field of protection and care of cultural heritage (division into preventive, conservative and restoration, reconstruction, replica, re-enactment, emulation);
• UNESCO world cultural and natural heritage; knowledge of the criteria for the assessment and verification of cultural and natural sites and the procedure for entering into the list;
• Warsaw Old Town (outdoor activities);
• Current art exhibitions in Warsaw (outdoor activities);
• Trips outside Warsaw (outdoor activities);
• Interviews with curators and people associated with contemporary art and exhibitions (outdoor activities).

Literature used by the lecturer. The student is not required to read it directly.

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Athens Charter, D. The Athens charter for the restoration of historic monuments. In Proceedings of the 1st International Congress of Architects and Technicians of Historic Monuments, Athens, Greece, 21–30 October 1931.
Barassi, S. Dreaming of a universal approach: Brandi’s theory of restoration and the conservation of contemporary art. In Conservation: Principles, Dilemmas and Uncomfortable Truths; Butterworth-Heinemann: Oxford, UK, 2009; (This paper was presented in London on September 24 at the seminar—Conservation: Principles, Dilemmas and Uncomfortable Truths).
Drogi współczesnej konserwacji. Aranżacja. Ekspozycja. Rekonstrukcja. Studia i Materiały Wydziału Konserwacji i Restauracji Dzieł Sztuki ASP w Krakowie 2000, IX tom IX, cz. 1 i 2, ICOMOS Biuletyn 2000; www.icomos-polska.com
Dushkina, N. The challenge of change and the 20th-century heritage. In Conservation and Preservation: Interactions between Theory and Practice: In Memoriam Alois Riegl (1858–1905): Proceedings of the International Conference of the ICOMOS International Scientific Committee for the Theory and the Philosophy of Conservation; Polistampa: Vienna, Austria, 2008; pp. 1000–1013.
Falser, M.; Lipp, W.; Tomaszewski, A. Conservation and preservation, interactions between theory and practice in memoriam Alois Riegl (1858–1905). In Proceedings of the International Conference of the ICOMOS International Scientific Committee for the Theory and the Philosophy of Conserviation and Restoration, Vienna, Austria, 23–27 April 2008.
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Jokilehto, J. The idea of conservation: An overview. In Conservation and Preservation: Interactions between Theory and Practice: In Memoriam Alois Riegl (1858–1905): Proceedings of the International Conference of the ICOMOS International Scientific Committee for the Theory and the Philosophy of Conservation; Polistampa: Vienna, Austria, 2008; pp. 1000–1015.
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Marshall, D. The burra charter in an international context—The implications of international doctrine for practice in Australia. In Conservation and Preservation: Interactions between Theory and Practice: In Memoriam Alois Riegl (1858–1905): Proceedings of the International Conference of the ICOMOS International Scientific Committee for the Theory and the Philosophy of Conservation; Polistampa: Vienna, Austria, 2008; pp. 1000–1007.
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O zabytkach. Ochrona, opieka, konserwacja, Warszawa 2005.
Plevoets, B.; Van Cleempoel, K. Adaptive Reuse as a Strategy towards Conservation of Cultural Heritage: A Survey of 19th and 20th Century Theories. In Proceedings of the Reinventing Architecture and Interiors: The past, the present and the future, Greenwich, UK, 29–30 March 2012.
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Pruszyński J., Ochrona zabytków w Polsce. Geneza, organizacja, prawo, PWN Warszawa 1989.
Riegl, A. The Modern Cult of Monuments: Its Character and Its Origin; MIT Press: Cambridge, MA, USA, 1982.
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Ustawa o ochronie zabytków i opiece nad zabytkami z 23 lipca 2003 roku.
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Althöfer H., A Five-Point Programme for Conserving Contemporary Art [in:] What’s changing. Theories and practices in the restoration of contemporary art, ed. M. Mundici, A. Rava, Torino 2013, pp. 37-42.
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Lemme F., Restoring Works of Conceptual Art [in:] What’s changing. Theories and practices in the restoration of contemporary art, ed. M. Mundici, A. Rava, Torino 2013, pp. 63-66.
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