conversation / workshop

Passed entrance exam, ability to make creative observations, learn from examples, openness to inspiration; knowledge of software to the degree to complete tasks, etc.

the ability to make an original artistic statement; the ability to consciously use a specialized workshop; the ability to creatively search for creative solutions within the specialization studied; a public presentation of one's own work during a semester and final year exam.

assessment of the individual (artistic) work of the student, assessment of the level of knowledge and skills, assessment of the presentation of his/her own work according to the grading scale specified in Rules of Studying.

ability to use basic concepts from the world of film, such as verticals in a film crew, camera work, frame composition, etc.; knowledge of the basics of film set design with emphasis on color and its functions - creating a color palette for a movie, moodboard - skillful presentation of an idea, learning basic techniques of creating visualization, creating quick sketches of space, taking into account the basics of perspective, introducing the basics of technical drawing, perfecting the ability to select artistic means adequate to the expressed content.

1. Kompendium terminologii filmowej - Piotr Andrejew, Wit Dąbal;
2. Słownik terminologii filmowej - Bocian Remigiusz, Zabłocki Michał;
3. Okiem filmowca - nauka i łamanie zasad filmowej kompozycji - Gustavo Mercado;

4. Opowiadanie obrazem - tworzenie wizualnej struktury w filmie, telewizji i mediach cyfrowych - Bruce Block;

5. Storyboard - ruch w sztuce filmowej - Mark Simon;

zachęcam do sięgania po zagraniczne pozycje, gdzie jest więcej opracowań dotyczących ściśle scenografii.

1. The Art Direction Handbook for Film & Television Michael Rizzo;
2. Designer Drafting and Visualizing for the Entertainment World Patricia Woodbridge, Hal Tine

Students should have basic drawing tools at their disposal during the course. (Sketchbook, pencils, etc.).