(en)Katalog ECTS

Kierunki rozwoju scenografii

(en)Pedagog: dr Dominika Łarionow

(en)Pole (en)Opis
Course type Seminar
Didactic methods

The main didactic method is the analysis of texts selected by the teacher (which may be in English) and several current exhibitions and a joint discussion of the achievements of scenographers. Apart from discussion the classes will also contain lecture elements. 

Language of lecture polski;
Prerequisites

Basic knowledge of art history and theater history is required.

Final requirements

The semester grade entered in Akademus will consist of: attendance (25%) + active participation (25%) + passing the written exam in the exam session (50%).

The form of passing the course (assesment methods and criteria)

The student's activity during classes (25%) will be assessed i.e. the preparation of assigned tasks, the ability to conduct on independent analysis of works of selected artists. The final grade will also include the presence of the student during classes (25%). During the session, a written exam be prepared in the form of a test on the material covered - the grade will constitute 50% of the final semester grade. 

Teaching goals (program content, subject description)

The didactic aim of the classes is to familiarize the students with the history of scenography both in its historical dimension and with contemporary contextsit is important that stage design students learn to recognize theater styles and forms, stage conventions and various theatre spaces.

Compulsory literature used during classes

1. John Russel Brown, Historia teatru, Świat Książki 1999 lub Wydawnictwo Naukowe PWN 2007.

2. Józef Kelera, Krótka historia teatru w Europie, Wydawnictwo Uniwersytetu Wrocławskiego, 2018.

3. Scenography Expanded. An introduction to contemporary performance design, ed by Joslin McKinney and Scott Palmer, Bloomsbury, 2017.

4. Odsłony współczesnej scenografii. Problemy - sylwetki - rozmowy, pod red. Katarzyny Fazan i Jadwigi Rożek-Sieraczyńskiej, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2016.

 

Additional literature recommended for the student's self learning

1.Donatella Barbieri, Costume in Performance. Materiality, Culture and the Body, Bloomsbury, 2017.

2.Joslin McKinney and Philip Butterworth, The Cambridge Introduction to Scenography, Cambridge University Press, 2009.

3.Arnold Aronson, Looking into the abyss. Essays on scenography, University of Michigan, 2005.

Learning outcomes
SkillsKnowledgeSocial competences

The student will be able to recognize historical theatrical conventions. Thus, in his work he will be able to easily - if necessary artistically - refer to historical sources.

The knowledge gained during the classes constitutes the basis for the skills necessary for the work of a theater and film set designer. Knowledge of the both theatrical conventions and historical spaces is the basis for building modern stage designs (this also applies to the use of multi-media, most of which are based on set design tricks know for centuries).

The required initial competencies will be extended to include detailed knowledge, which may later form the basis for self-directed creative searches.

Description of the requirements for the studio, workshop or teaching aids

Zajęcia prowadzone w salach dydaktycznych na terenie budynku ASP wymagają rzutnika lub ekranu do prezentacji mulimedialnych wraz z komputerem. Zajęcia prowadzone on line skupiają się na dostępnych narzędziach i platformach w internecie, o czym studenci są poinformowani w mailu zapraszającym na zajęcia.

The weekly number of hours of classes or lectures, the number of ECTS points assigned to the subject and information on the form and completion of the subject are included in the study program and Course Cataloque (information is displayed in Akademus system)


(en)Lista studiów

(en)studia status (en)czas[h] ECTS (en)forma pass
Stage Design / projektowanie scenograficzne s.1 (en)o 30 2 lecture 30h
lecture [exam]


(en)Semestr 2020/21-WS (en)(Z-zimowy,L-letni)
(en)Kod kursu: #38.13311